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Flawed human nature seems to play a great role in her breakdown. Her husband, a noted physician, is unwilling to admit that there might really be something wrong with his wife.
This same attitude is seen in her brother, who is also a physician.
While this attitude, and the actions taken because of it, certainly contributed to her breakdown; it seems to me that there is a rebellious spirit in her.
Perhaps unconsciously she seems determined to prove them wrong. As the story begins, the woman — whose name we never learn — tells of her depression and how it is dismissed by her husband and brother. And what can one do?
These two men — both doctors — seem completely unable to admit that there might be more to her condition than than just stress and a slight nervous condition. Throughout the story there are examples of the dominant — submissive relationship.
She is virtually imprisoned in her bedroom, supposedly to allow her to rest and recover her health. She is not even supposed to write: She has no say in the location or decor of the room she is virtually imprisoned in: But John would not hear of it. Probably in large part because of her oppression, she continues to decline.
It seems that her husband is oblivious to her declining conditon, since he never admits she has a real problem until the end of the story — at which time he fainted. John could have obtained council from someone less personally involved in her case, but the only help he seeks was for the house and baby.
He obtains a nanny to watch over the children while he was away at work each day: And he had his sister Jennie take care of the house.
He does talk of taking her to an expert: Not only does he fail to get her help, but by keeping her virtually a prisoner in a room with nauseating wallpaper and very little to occupy her mind, let alone offer any kind of mental stimulation, he almost forces her to dwell on her problem.
Prison is supposed to be depressing, and she is pretty close to being a prisoner. Perhaps if she had been allowed to come and go and do as she pleased her depression might have lifted: The lack of an outlet caused the depression to worsen: I must say what I feel and think in some way — it is such a relief!
But the effort is getting to be greater than the relief. Meanwhile her reaction is to seek to prove him wrong. You see he does not believe I am sick! She writes when there is nobody around to see her, she tries to move her bed, but always keeps an eye open for someone comming.
This is obvious throughout the story. It also seems to me that, probably because of his oppressive behaviour, she wants to drive her husband away. I am glad my case is not serious!
As her breakdown approaches she actually locks him out of her room: I want to astonish him. The New England Magazine. Hold, Orlando, FL Who is the Protagonist in Charlotte Perkins Gilman's The Yellow Wallpaper?
We have the answers here, plus lots more. Literature: Yellow Wallpaper coursework, term papers on Literature: Yellow Wallpaper, Literature: Yellow Wallpaper essays In “The Yellow Wallpaper”, by Charlotte Perkins Gilman, the dominant/ submissive relationship between an oppressive husband and his submissive wife pushes her from depression into insanity.
In Charlotte Perkins Gilman's "The Yellow Wallpaper," the narrator's relationship with her husband, John, is definitely strained; the reader understands this because of the perspective from which.
Symbolism in The Yellow Wallpaper by Charlotte Perkins Gilman. Symbolism in The Yellow Wallpaper by Charlotte Perkins Gilman Charlotte Perkins Gilman's "The Yellow Wallpaper" is the journal of a woman plagued with severe depression and the inability to recover due to her role as a submissive woman.
In "The Yellow Wallpaper", by Charlotte Perkins Gilman, the dominant/submissive relationship between an oppressive husband and his submissive wife pushes her from depression into insanity 4 / The Yellow Wallpaper - Journey Into Insanity. The Role of Voice in Charlotte Perkins Gilman’s The Yellow Wallpaper () Updated on October 24, the simultaneous familiarity and strangeness of voice extends through the characters’ discourse to the narrator’s relationship with the only thing she can identify with as living in the room to which she is confined, and that is the.